Destruction infernal overkill8/13/2023 ![]() In 1989, during the initial recording sessions of the fourth studio album Cracked Brain, Schmier was fired from the band and was replaced by Poltergeist frontman André Grieder, the only album with him. ![]() During this time, Destruction had enjoyed considerable popularity worldwide, touring relentlessly in Europe and North America, and sharing the stage with Venom, Slayer, Kreator, Sodom, Celtic Frost, Motörhead, King Diamond, Voivod, Exodus, Testament, Overkill, Death Angel, Possessed, Sacred Reich, The Cro-Mags, Tankard, Flotsam and Jetsam, Artillery, Rage, Coroner, Assassin, Candlemass, Prong, Accu§er, Iron Angel, Wolfsbane and Girlschool. Together they recorded the EP Mad Butcher, the third studio album Release from Agony, both released in 1987, and the first live album Live Without Sense (1989). The trio was joined by a second guitarist, Harry Wilkens, and drummer Tommy Sandmann was replaced by Oliver Kaiser. The first full-length album Infernal Overkill was released in 1985, followed a year later by Eternal Devastation (1986). ![]() After this, the group signed with Steamhammer Records and released an EP titled Sentence of Death on 10 November. They were then known as Destruction and released a demo titled Bestial Invasion of Hell on 10 August 1984. Kühne was kicked out of the band due to conflict with Sifringer over a girl. The line-up featured Ulf Kühne on vocals, Mike Sifringer on guitar, Marcel "Schmier" Schirmer on bass and Tommy Sandmann on drums. The band was formed in Weil am Rhein as Knight of Demon in 1982, inspired by Iron Maiden, Mercyful Fate, Motörhead and Venom. For most of the 1990s, the band was not signed to a record label and was forced to self-produce their albums until they signed a contract with Nuclear Blast in the early 2000s. In addition to helping pioneer black metal, Destruction was part of the second wave of thrash metal in the mid-to-late 1980s, along with American bands like Testament, Sacred Reich, Death Angel and Dark Angel. They are often credited as one of the "Big Four" of the German thrash metal scene, the others being Kreator, Sodom and Tankard. If you want to hear your first Destruction album, seek out Eternal Devastation, or Released From Agony, as these albums display a much more accomplished and matured band.Destruction is a German thrash metal band formed in 1982. It does show a band with a lot of potential room for growth, yet it falls flat when compared to later releases from the band. While the band would certainly go on to prove themselves in the years to come, Infernal Overkill is far from perfect. This is a standard and typical thrash album. All of the songs are extremely fast paced and heavy, yet there is no variety with regards to genre and style. The album clocks in at a mere 39 minutes, so it is a relatively short listen. The only thing the vocals really achieve, is giving the album a slightly more aggressive sound. The vocalist utilizes rough shouts and occasional low growls throughout most of the recording, and his performance never really lives up to the instrumentals. The vocals on the other hand, are very typical of the genre, showing very little variation in pitch, and tone. The drumming is equally proficient, and keeps the tempo at a decidedly fast pace, adding slightly technical fills at certain points in the album. The riffs are very compelling and are almost never overused, and when he does solo, it is frantic and expertly executed. From a technical standpoint, the guitarist can shred. Production aside, Destruction's guitarist is perhaps the major bright spot on this album. While this isn't necessarily uncommon for the time in which the album was released, it is nonetheless extremely disappointing. The overall sound of the album is muffled and dirty, and the bass lines are buried beneath the other instrumentals. Still, this album has more than its fair share of rough spots.įirst and foremost, this albums suffers from poor production values. Everything you can typically expect from a classic thrash record is here: whether its the technical and heavy riffing, the frantic and angry sounding solos, or even the energetic and fast drumming. Infernal Overkill combines raw aggression and sheer bravado together and the outcome is a mixed bag of highs and lows. Released at a time when thrash was in its infancy, this album shows a young band with much to prove and lots of potential, much like the genre itself at the time. Veteran metal act Destruction, a band known for popularizing thrash in Germany and much of Europe, had an extremely humble beginning. Review Summary: A debut that shows a lot of potential, but falls short due to shoddy production and underwhelming vocals.
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